Maria Montero

view of “Chocolate Imaginário”, solo show at Sé Gallery, São Paulo, 2023

view of “Chocolate Imaginário”, solo show at Sé Gallery, São Paulo, 2023

view of “Chocolate Imaginário”, solo show at Sé Gallery, São Paulo, 2023

view of “Chocolate Imaginário”, solo show at Sé Gallery, São Paulo, 2023

view of “Chocolate Imaginário”, solo show at Sé Gallery, São Paulo, 2023

view of “Sobrevivência dos vagalumes”, solo show at Sé Galeria, São Paulo, 2017

view of “Sobrevivência dos vagalumes”, solo show at Sé Galeria, São Paulo, 2017

view of “Sobrevivência dos vagalumes”, solo show at Sé Galeria, São Paulo, 2017

view of “Sobrevivência dos vagalumes”, solo show at Sé Galeria, São Paulo, 2017

São Paulo, Brazil, 1974 \ lives and works in São Paulo

In her artistic practice, Maria explores the relationships between her occupations, that of artist and gallery owner. Her works address questions of both a poetic and prosaic order: basic questions of survival and performance in the field of art. Through objects, drawings, installations, videos, and appropriations, Maria Montero proposes a space for metalanguage, leaning over her own art to make it. What moves her practice are the artists she represents as a gallery owner, the afflictions of the market, classes, notes, observations, and the possibilities of producing fiction and frictions from a conceptual activity.

Founder of the experimental space of artistic residency Phosphorus (2011-2014), in a property located on the first street of São Paulo, Maria founded in 2014, in the same location, Sé Galeria, an artist-run gallery formed by a team of artists with a solid trajectory artistic and academic and that, for the most part, entered the art market through the gallery. In her work as a gallery owner, she seeks to monitor the artists she represents, proposing exhibition projects that favor critical, conceptual, and experimental thinking. It is through the intimacy with the artists and their works that she outlines the contours of her performance.

Maria studied Art Psychotherapy at Goldsmiths College, London (1998), and graduated (2020) in Art: History, Criticism, and Curatorship from the Pontifical Catholic University of São Paulo (PUC-SP).

In 2017, she held the solo show “Survivência dos Vagalumes” at Sé Galeria and in 2018 she participated in the group exhibition “Women at the Collection of the Sea”. In 2019, he performed the solo show “8 Movements” at the Simon Preston Gallery, in New York.

Works

Top Hits (Don´t look back), 2023

staedler and tombow pens on 200g fabriano ecological paper
23 x 32 cm (framed)

Consult

Se estiver vivo, dance, 2023

caps with embroidered letters on stands
100 x 105 x 18 cm

Consult

pedra no sapato, 2021

copper-plated and brass-plated shoe and stone
20 x 25 x 25 cm

Consult

A hora chega, 2021

mechanical alarm clocks, automotive paint, contact microphones and sound systems
variable dimensions

Consult

Meus sentimentos, 2023

Portuguese chain, 950 silver and black spinel
12 x 16 cm

Consult

Empilhamento de referências, 2021

aluminum pans and automotive paint
170 x 50 x 40 cm

Consult

Pé de meia, 2017

Photograph printed on Hahnemühle paper
44 x 32 x 4 cm (set of 12 pieces)

Consult

Ganha pão, 2016

photo paper printing mounted on methacrylate
edition of 28 + 2 PA
29 x 20 cm

Consult

Balde de água fria, 2016

Metal bucket, gouache and cold water
Edition of 3 + 1 PA
50 x 40 x 50 cm

Consult

Träume, 2011 – 2016

Video installation (3 projections in loop)
edition of 5 + 2 P.A.
4'39''

Consult

Leve, 2016

Consult

Não existe ser sem fissura, 2016

Video installation
edition of 5 + 3 PA
2 projections in loop

Consult

O amor é um elo, 2012

Installation
Variable dimensions

Consult

Breve estudo sobre o machismo na arte, 2017

installation with embroidered tiaras, street vendor's table and appropriated notebook sheets
variable dimensions

Consult

8×8 movements, 2019

drawing, printing on acetate and acrylic sheets
edition of 3 + PA
30 X 21 CM

Consult

Consult
Gallery




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